New PDF release: From Jim Crow to Jay-Z: Race, Rap, and the Performance of

By Miles White

This multilayered research of the illustration of black masculinity in musical and cultural functionality takes goal on the aid of African American male tradition to stereotypes of deviance, misogyny, and extra. Broadening the importance of hip-hop tradition through linking it to different expressive types inside pop culture, Miles White examines how those representations have either inspired the demonization of younger black men within the usa and in a foreign country and contributed to the development in their identities.


From Jim Crow to Jay-Z strains black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity.

Continuing with assorted discussions together with black motion movies, heavyweight prizefighting, Elvis Presley's functionality of blackness, and white rappers similar to Vanilla Ice and Eminem, White establishes a cosmopolitan framework for analyzing and critiquing black masculinity in hip-hop song and tradition. Arguing that black tune has undeniably formed American pop culture and that hip-hop tropes have exerted a defining effect on younger male aspirations and behaviour, White attracts a severe hyperlink among the physique, musical sound, and the development of identity.

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From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity (African Amer Music in Global Perspective) by Miles White

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