By George Hartley
Hartley describes how sleek thought from Kant via Lacan makes an attempt to come back to phrases with the elegant limits of illustration and the way principles constructed with the Marxist tradition—such as Marx’s conception of worth, Althusser’s concept of structural causality, or Zizek’s thought of ideological enjoyment—can be obvious as editions of the chic item. illustration, he argues, is finally a political challenge. even if that challenge be a Marxist illustration of worldwide capitalism, a deconstructive illustration of subaltern girls, or a Chicano self-representation opposing Anglo-American photos of Mexican american citizens, it's only via this grappling with the unfavorable, Hartley explains, Marxist thought of postmodernism can start to handle the demanding situations of worldwide capitalism and resurgent imperialism.
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Extra resources for The Abyss of Representation: Marxism and the Postmodern Sublime (Post-Contemporary Interventions)
The Abyss of Representation: Marxism and the Postmodern Sublime (Post-Contemporary Interventions) by George Hartley